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Beth Bombara's album Evergreen began thousands of feet above sea level. Looking to step back and clear her head after a long bout of touring, the rock & roll-influenced Americana artist nestled herself in the Rocky Mountains in a remote cabin. The cabin’s name? Evergreen. She spent time wandering through acres and acres of untouched forest around the cabin, up and down craggy rocks that felt nothing like her native Michigan nor her adopted home of St. Louis. Almost by accident, songs for her sixth album began to take root.
“I wasn’t writing a new record -- at least, I didn’t think I was at the time,” she admits. “But I’m starting to realize, that’s just what I do. I write songs. You know how trees exhale oxygen? They don’t think too hard about oxygen...it’s just a byproduct of their existence. Well, songs are a byproduct of my existence. I’ve already exhaled these songs, but maybe they’re a needed breath for someone else. And the idea that even one other person needs them is what fulfills me.”
Although based in Missouri, Bombara has spent much of her adulthood on the road, carving out her own award-winning mix of vintage folk and electric roots-rock. She’s been a solo artist, a bandleader, and an occasional side musician for other artists. With Evergreen, Bombara resumes her role as the leader of an amplified Americana band. These songs were largely written on the run -- in friend’s basements, during soundchecks, and on the road -- while Bombara and company toured the country in support of her 2017 release, Map and No Direction. As a result, there’s a strong sense of movement here, from Samuel Gregg’s versatile guitar playing to the thump of the group’s rhythm section (featuring Mike Schurk on drums and Kit Hamon -- Bombara’s right-hand man and longtime collaborator -- on bass). Gluing the sound together are Bombara’s unforced vocals, sharp hooks, and optimistic lyrics, which find her taking an honest look at life’s difficulties while continuing to move forward with positivity.
“Getting to work these songs out on the road was invigorating,” says the songwriter, who’d previously recorded Map and No Direction with a small, insu lar team consisting of Hamon and co-producer Karl Kling. “So I already feel invincible with my touring band, and then my friend John Calvin Abney joined in on keys (and production). The five of us just walked in to the studio, set up in one live room, and hammered out the whole album in less than a week. It was the most fun I’ve ever had making a record. Everyone’s doing what they do...it just felt effortless.”
From Tom Petty’s heartland rock & roll to Aimee Mann’s quirky indie-folk, Evergreen sources its inspiration from iconic sources. Even so, this is the unmistakably unique work of Beth Bombara, a singer/songwriter who, over a half-dozen albums, has nodded to past traditions while always pushing ahead into new territory. Evergreen is her newest high-water mark: an album that matches her craft with the nuanced stomp of her strongest band to date.
PRAISE FOR EVERGREEN
“Sometimes the voice gets you hooked in from the very first note. That’s the case with Missouri-based singer/songwriter Beth Bombara, who appears to have spent the entirety of her adult life roaming from place to place, soaking up experiences and then pipelining them directly to her larynx, after which they emerge in the form of gorgeous roots-rock tunes…Throughout her voice shines. The likes of Aimee Mann and Jewel are are fair comparisons — every tone is tinged with emotion, nothing is wasted. By the end, you’ll feel wiped out, yet you’ll want to listen to it again.”
— L.A. WEEKLY
“…Evergreen finds a freshly invigorated Beth Bombara fronting a tight, taut band and performing her songs with the fortitude of an artist coming into her own after years touring the endless highway. Don’t let this one pass you by.”
— AMERICAN SONGWRITER
“First thing you notice is the resemblance to Aimee Mann, but instead of swimming, she takes you on a roller coaster ride.”
— NO DEPRESSION
“With Evergreen Beth Bombara and company have added new colors to their sonic palette, without really sacrificing their signature sound. Her voice echoes the Bluesy grit of both Bonnies (Raitt and Bramlett), as well as Folkier antecedents like Natalie Merchant and Aimee Mann. This album does some heavy-lifting, but manages to feel effortless.”
— COACHELLA VALLEY WEEKLY
“Evergreen has a lush sonic vibe from opening to closing track… Bombara's writing is skilled, nuanced, and timeless. This album came together so well simply because her songwriting chops are so mature, her band is so seasoned, and she had something honest to say.”
— POP MATTERS
“There’s a maturity and complexity that transcends most rootsy Americana offerings. I came away from the set with a smile on my face. Bombara is an artist with far more miles than years on her. It lends an ease to what she does on stage.”
— TWIN CITIES MEDIA